A masterclass in mood, the film plunges us into the darkness of the blackouts that ripple across Cuba. In the murk of shadow, the flickering of fire beckons stories from realms beyond the reach of light. Electricity cuts have revived a protest movement dormant since the revolution, one demanding that power be restored. 　　源自：https://iffr.com/en/iffr/2024/films/history-is-written-at-night

A masterclass in mood, the film plunges us into the darkness of the blackouts that ripple across Cuba. In the murk of shadow, the flickering of fire beckons stories from realms beyond the reach of light. Electricity cuts have revived a protest movement dormant since the revolution, one demanding that power be restored. 　　源自：https://iffr.com/en/iffr/2024/films/history-is-written-at-night

Our film focuses on Italian author, art critic and feminist Carla Lonzi (1931–1982), founder of the first Roman feminist group Rivolta Femminile in 1972, and her role in 　　the international feminist revolt of the 70s/80s. It drafts the notion of new feminist 　　historiographies by tracing histories unwritten and by opening to date uncharted 　　archives: at the core of its narrative resides Lonzi’s unfinished project on Les Précieuses, a French proto-feminist group active in the 17th century. It is this project our film wants to revisit in an attempt to complete it in a speculative manner, thereby connecting a remote part of the feminist history with possible feminist futures. Adjacently, a tentative lineage in feminist thought towards the present is mapped through a re-staging of an iconic photographic volume titled La strada più lunga by feminist photographer Maria Grazia Chinese from 1975 in the garden of the Casa Internazionale delle Donne in Rome

Our film focuses on Italian author, art critic and feminist Carla Lonzi (1931–1982), founder of the first Roman feminist group Rivolta Femminile in 1972, and her role in 　　the international feminist revolt of the 70s/80s. It drafts the notion of new feminist 　　historiographies by tracing histories unwritten and by opening to date uncharted 　　archives: at the core of its narrative resides Lonzi’s unfinished project on Les Précieuses, a French proto-feminist group active in the 17th century. It is this project our film wants to revisit in an attempt to complete it in a speculative manner, thereby connecting a remote part of the feminist history with possible feminist futures. Adjacently, a tentative lineage in feminist thought towards the present is mapped through a re-staging of an iconic photographic volume titled La strada più lunga by feminist photographer Maria Grazia Chinese from 1975 in the garden of the Casa Internazionale delle Donne in Rome

1931年皖东余田镇，镇上大户白老爷迫于生意和家产，不得已将 白灵 （ 程愫 饰）嫁给 钱一飞 （ 刘向京 饰）。白灵跳崖轻生，深爱白灵的 唐天明 （ 潘泰名 饰）和下人 田小满 （ 黄维德 饰）把白灵救了回来。唐天明决定帮白家还债，爷爷唐贯鸿万般阻拦。原来唐天明不是唐家大少爷，而是田树槐的孩子，与下人田小满是亲兄弟。白灵一心寻仇，周旋在钱一飞和唐天明中间。日本入侵余田镇，田小满带着双枪队上山当了义匪，专门对抗鬼子。唐天明跟随何团长参加了国军，钱一飞当了汉奸，白灵却不知所踪。几个月后，白灵回到了余田镇，她嫁给了 朱晋涛，与唐天琪一起抓汉奸。抗日胜利后，田小满加入了共产党跟随香兰的部队。国军战败逃往台湾，祖国解放。唐天明去了台湾，田小满和唐天明从此天各一方，继续完成历史赋予他们的使命 。

What would you do if you could change the past?

What would you do if you could change the past?

关于欧洲饮食的科普片，通过情景再现，介绍其中一些有趣的历史文化：咖啡与巧克力的普及、开胃酒的习俗、蓝纹奶酪与查理大帝、卡路里与营养学概念、餐桌礼仪的诞生与演变等。

关于欧洲饮食的科普片，通过情景再现，介绍其中一些有趣的历史文化：咖啡与巧克力的普及、开胃酒的习俗、蓝纹奶酪与查理大帝、卡路里与营养学概念、餐桌礼仪的诞生与演变等。

Fusing biography, art and the history of fashion, Amber Butchart explores the lives of historical figures through the clothes they wore.